In theory, we should all love digis. Ask a digi-wearer the time and assuming he’s not an actuary, he’ll tell you, precise to the minute. It’ll be “five-forty-seven”; none of this vague and analogue “about quarter to six”. Digis are robust, never need servicing and are ready to go as soon as you drag them from the watchbox. But for most, they’re the watch equivalent of the slightly seedy uncle who insists that bri-nylon shirts are a good idea.
A G-Shock may still be as socially acceptable as a cartoon character tie, but that distant bleeping you can hear is the start of the vintage digi revolution. While most watchnerds have been busy drooling over the latest ultra-mech innovations, vintage digitals have been quietly lifted out of the musty charity shop glass cabinet into the auction catalogue.
It’s started with the earliest LED (light-emitting diode) glowing-digit Pulsars from the 1970s. To get a P2 under your paisley cuff in 1973 would have cost you $395. That’s $10 more than a Sub. Today, apart from being sufficiently well-built to double as a lump hammer, a decent early Pulsar P2, even in stainless steel, will set you back around £350. OK, that’s nowhere near the stratospheric rise of the Sub, but five years ago the ladies at your local Cats’ Protection League shop would have turned up their noses at it. For horological history at pocket-money prices, vintage digital can’t be beat. And, yes, it was the one Roger Moore wore in Live and Let Die… Making it the coolest digital ever made by default.
For example, an Omega TC1 – the Time Computer – Omega’s first venture into LED watches. Like the Pulsar (it shares much of the technology), its red LEDs peer out from an elegant case that feels as though it’s been hand-milled it from billet stainless. But you set the time, not with a button on the side or a crown, but by unclipping a tiny magnet from the strap’s clasp and placing it in special slots on the caseback. And you’ll find one of these – the first prestige digis – for under a thousand today.
But LED is for the truly dedicated; the digi-faithful who want a watch with a firm place in history. They are practical everyday timekeepers in the same way that an Aston Martin Lagonda would make a good daily driver. Move to LCD (liquid-crystal display) and more established brands and you’ll get a watch that will stand up to being used and where you don’t need to press a button to find out the time.
The early Seiko M series LCDs are a fine bet. They share the robustness of the Pulsars, but with rather more style and a less bulimic attitude to batteries. A chunk of 1970s cool for around £100. This M159 even has the address of its previous Californian owner’s ‘70s, ice-cold plateglass and concrete Capistrano Beach house engraved on the clasp.
Omega weren’t slow in developing their own movements. The cal. 1620 powered a series of new watches from the mid 1970s including this 1977 Constellation. Omega only produced the Constellation with the cal.1620 quartz LCD movement for 18 months. Typically for vintage digi, the movements are exceptionally well made – this one even has a tiny circuit jumper to change the display from 12 to 24 hours. But they weren’t around long. Back then, quartz was still wallet-meltingly expensive. One like this barely makes a dent today at around £500, but they’re going up fast.
And it’s a fascinating field. Who knew there was a digi version of the iconic Speedmaster and Seamaster, each sharing a calibre with the Constellation above? There’s the jam factor too – for most people, vintage digitals are just ‘old watches’, so there are still plenty of bargains around. The market has started to get smart though… you’ll be lucky to find an Omega or a Pulsar at the local jumble sale, but you can pick something remarkable up before most people get wise.
Significant mechanical history pieces are out of almost every watchlovers’ reach. Fancy an early Louis Moinet chronograph? Best take up burglary then. One of Rieussec’s? Time for the jemmy, stripey jumper and swag bag. But an example of the world’s first digi quartz chronograph? Get on the web, two clicks and it’s yours for under £500.
Digitals won’t be like this for ever. They’re unlikely to reach the stratospheric heights of vintage Patek or Rolex, but the signs are the better known brands are already on the up. Digis are engaging, a real piece of horological history and they won’t cost you a fortune. In fact, just sell your watchwinder and you could probably pick up a couple of good ‘uns.
This article originally appeared on the splendid, but now sadly deceased, Prodigal Guide. Now – even more splendidly – to be found on Medium: https://medium.com/the-prodigal-guide